Stars Without Number

Started weekly Roll20 Campaign of SWN a couple weeks ago. Now a few sessions in.

I present you the Petunia Ceti Star Sector. Based on my warped brain and players input of 

• Dune
• Akira
• Hitchhiker's Guide to Galaxy
• Ringworld
• and this

Hot takes:

• Like sector creation tools. Esp how they (and rest of book) is made and explicitly encourages "just in time" milieu creation.
• Don't like the ship combat. Too structured/mechanical. Too much effort required by all to make it cinematic. Think it would be better face to face.
• The system is fine. But I don't know it. Close but just different enough from OSR D&D to make harder to keep straight.
  After 35 years, I can run D&D from memory, drunk, making up entire (not half bad) adventure. Developed the instincts to know what works, decades of experience to pull encounters, monsters, items, and rulings from. D&D is so broad, common, and replayable, it's been worth mastering it.  I don't feel same for SWN. It's a one-off campaign type game. I'm not gonna run this enough to even get good with it.

Characters are currently exploring a derelict space liner, The Flotsam Paradise. Who's AI, Caravaggio, was an early prototype of Paradise's Friend Computers. Who are always right and where happiness is mandatory.

New B/X Megadungeon Campaign

Got the itch.

Starting new OSE (B/X) roll20.com campaign centered on a published megadungeon (being cagey about which cause, I don't know, surprise?).   Tired of hex crawls that either 1) never start cause I'm still "prepping", 2) that never get to one of the megadungeons as there's so much other stuff 3) that stutter and stall because players are paralyzed with choice. Even more tentpolish than tentpole campaign.

So, similar to Ford Model T color options, the players can go on any adventure as long as it's The Megadungeon . And there is nothing to do in overworld other than recover and prepare for next delve into megadungeon. This hobby started with game like that (more or less (a lot less than some would believe, but it fits my narrative, so going with the myth)) and megadungeon is large and varied enough to actually provide plenty of choice.  Probably branch out eventually. When the players are stuck, or need a break from crawling, it's good to have small palette cleanser "side quests".

The Overworld

Who can guess the megadungeon from the map clues; it is in box canyon and there is nearby swamp?

Worcestershire county of "The Kingdom". 

Overworld play is handled in abstract "downtime turns".  Nominally one week long. Travel time is subsumed in those turns. Being mounted will let you evade slower encounters, not "move" faster. Carts and wagons will let you carry more loot but unable to evade just about anything. Towns have a fixed "menu" of choices players may pick from during downtime turn. All are pretty similar; Salisbury has Wizard "patron" and Wellington has Cleric one, Hamburg is Dwarven outpost.  The City has more advanced options, magical research, sages, finding better prices for unique piece of dungeon loot, and the like. 

Wilderness encounter checks are made when travelling in the direction indicated. So, no encounter check going to The Dungeon from human towns of Salisbury or Wellington. This is because it's annoying to get all prepped and set for delve only to have random encounter wipe half party resources and require going back to town. And if you push your luck and just barely make it out of dungeon, you're risking a lot with that return encounter check. I made Hamburg the opposite to provide players choice / agency. But Hamburg is less convenient. For instance almost no hirelings are available for hire there.

Travel around the overworld, to city, going back and forth between towns, has the cost and the discouragement of wilderness counter checks. Which tend to be both deadly and non-profitable in terms of treasure.  In addition the more turns spent in overworld the more times DM rolls on dungeon restocking tables. There is no adventure in the overworld, no fun to be had It exists only to recuperate, resupply, and prepare for another delve into

The Megadungeon

Oh yeah, if you're interested in playing Fridays 6pm Central Time, email me njharman@gmail.com or I might notice if you DM me on https://www.reddit.com/user/njharman/

Pimp cloak from the Renaissance

I don't know how right now, but I'm gonna figure out some reason for my next Magic-User to be pimped out with these dope threads.  The matching hat, I lack words.

Source & Info if you like, want to learn about art and history and stuff.

Gary Con Videos Online

Gary Con is an annual game convention celebrating the life and works of Gary Gygax, the Father of Role Playing Games.

They are posting videos of games and sessions on YouTube.

Gary Con 2021 Videos

If you don't know what Gary Con is (I'm surprised you're reading this blog!) But here is the two minute history by Luke Gygax.

Recently watched their 50th Anniversary of Chainmail. Learned a lot of the history I did not know.

Rowing Longship Reconstruction

 

More longship video goodness.

Critical Roll

Player Critical

Critical hits have one of two effects chosen by the player.

• Inflict maximum damage (no roll).
• Whatever they can imagine and convince the DM of happening.

The second option is wide open. Things I've seen or thought of; disarming, knocking prone, stunning, pushing over nearby cliff, causing immediate morale check, exiting from melee (without typical enemy free attack).

The main types of things I disallow are boring "dealing more damage" ones. Pick the first option to be boring. [I purposely made the damage option not super great, like 2x damage. Because I want players to pick option 2. I want them to entertain me with their creativity. I run games primarily to experience the ridiculous shenanigans players get up to.]

Magic Weapons

Magic weapons do something "special" on critical hits. [An idea from EverQuest "procing" weapon effects].  I always give magic weapons some Boogie-Woogie. Like "the dagger's blade appears to be an icicle, although steel hard and sharp. When wielded your breath appears as on a frigid morning." Or maybe just a name "Hammer of Dissolution".

I'll then use that "flavor" to enhance the critical chosen by player. Very situational, sometimes over the top [crits should be "WOW" moments]. But, scaled to the "drama of the moment".  So, a max damage crit with hammer against wandering monster, will moleculary dissolve it regardless of actual hit points remaining.  But against Lareth the Beautiful during the final struggle against Chaos a critical blow from that hammer would be epic. [Which I finding hard to "wing" an example of in the absence of actual game play. But, would probably be "stop the evil plot/win the day" type thing].

Monster Critical

Major and or interesting monsters; Orc bosses, champions and torturers, but probably not orc "fodder".  Possibly a rat swarm. Certainly all the mythical, magical beasts, and EHPs wielding spears of utter chaos. They all have a thematic "special effect" when they critically hit. I often have idea of what ahead of time but typically come up with something better during play.

Grizzly Bear gets it bear hug or maybe caves in breast plate, the wearer can no longer breath until removed.

Orc Boss savage attack inspire's his tribe they all recover some hp and immune to moral checks.

Orc Torturer whip's blister beetle ichor filled barbs rake your skin. Writhe in agony for next d6 rounds.

Basically all the stuff in books, movies and video games that isn't well represented by rolling d6 damage...

The Extraordinary Climb Ability Visualized

I present you, a mid level thief, demonstrating her Climb Walls Extraordinary Ability. 

I rule failed climb walls as "No convenient crack, etc. was found" rather than falling.  Damage is too severe penalty for attempting something that is a big reason to even bring thief along.  I want thieves to be utilizing their abilities. I want parties to be thinking of and executing interesting solutions to obstacles using Climb Walls.

If thief gets attacked mid climb or other "bad thing" happens, I'd probably require an extra Climb Walls check to "hold on". And a Save vs Petrification (my go to "react to avoid bad thing" save based on some early published modules) for half damage.

Also why I don't make it insanely hard (as written (esp in AD&D) or interpreted by many) to set up a back stab. If thief successfully "sneaks*" prior to combat, they get back stab on first baddy passing them by.  During combat if they spend round sneaking (and are successful) the next round they get to backstab **any** enemy. Party can choose to take out leader or wizard. But, only by investing 2 rounds (with possible failure) and probably leaving thief vulnerable "behind enemy lines".  Another tool / decision point for players to exploit.  

* my house rules combines move silently / hide in shadows into one skill sneak.  Sneak is the thematic thing going on. The implementation details (hiding in shadows, using distractions, cat stepping) are beneath the abstraction level of D&D.


Original Reddit thread https://www.reddit.com/r/whatcouldgoright/comments/lombqq/i_mean_the_stairs_were_right_there/

Thundarr The Barbarian Anniversary

I love, love this cartoon. I wish there was more. It was my first introduction to "weird science", fantasy and sci-fi. Many of my D&D campaign worlds have been strongly inspired by the opening narration. It has stuck with me. 

"The year, 1994. From out of space, comes a runaway planet, hurtling between the Earth and the moon, unleashing cosmic destruction. Man's civilization is cast in ruin. Two thousand years later, Earth is reborn. A strange new world rises from the old. A world of savagery, super-science, and sorcery. But one man bursts his bonds to fight for justice. With his companions, Ookla the Mok and Princess Ariel, he pits his strength, his courage, and his fabulous Sunsword, against the forces of evil. He is ..."

3D Virtual Ramesses VI Tomb / Tomb of Horrors

This Tomb of Ramesses is amazing in it's own right. So much surviving hieroglyphics and decoration. It gave me waves of nostalgia and anxiety from going down the Tomb of Horrors great hallway.

Poor mummy, murder hobos broke into his tomb and hacked up his sarcaphogus, and looted his grave goods. Looks like he made them fight for it; "showed severe damage to his body, the head and torso being broken into several pieces by an axe used by the tomb robbers", cool. https://en.wikipedia.org/wiki/Ramesses_VI

https://my.matterport.com/show/?m=NeiMEZa9d93

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